This build step is a continuation from part 1 where more finalizing of the body shape is done.
Below: The body is clamped to table using scrap blocks
Below: A look at how sharp this corner is presently. We will be blending this so that everything appears round(er) when finished.
Below: The rasp is used to begin the shaping process.
Below: An in-progress look while rasping.
Below: Rounding of the edge using the rasp has been completed.
Below: The body has been flipped over and re-clamped to work on the heel area.
Below: A closer look at heel before further shaping.
Below: Another close look before shaping continues.
Below: The rasp is put to use again to shape the heel.
Below: The side of the neck heel has been blended to the curve of the lower horn.
Below: a flat spot is seen here, this will be removed and curved out.
Below: The rasp is used again to shape the curve.
Below: Showing more progress of this shaping.
Below: The curve has now been filed down to the edge that will meet the neck.
Where are the rest of the build steps?
You can view them all here.
Shaping is what makes an instrument melt into your body – in a sense, making it disappear. I look at it as ergonomic sculpting and when done right the basses function is maximized. A sharp edge or heavy weigh on your shoulder distracts from expressing with it. The late Philip Kubicki’s Ex-Factor opened my eyes to this in the early 90’s. “Factor” as in “Human Factor” – it’s the fluid connection between instrument and player that facilitates/enhances expression.