{"id":10178,"date":"2016-11-30T10:07:55","date_gmt":"2016-11-30T15:07:55","guid":{"rendered":"http:\/\/www.bestbassgear.com\/ebass\/?p=10178"},"modified":"2017-05-12T14:09:38","modified_gmt":"2017-05-12T19:09:38","slug":"bass-of-the-week-amj-guitars-1608","status":"publish","type":"post","link":"https:\/\/www.bestbassgear.com\/ebass\/bass-of-the-week\/bass-of-the-week-amj-guitars-1608.html","title":{"rendered":"[Bass of the Week] AMJ Guitars 1608"},"content":{"rendered":"

See the business listing for this bass builder here<\/a><\/p>\n

The feature bass this week was crafted by Adam Marsh Johnston of AMJ Guitars.<\/p>\n

Owner Deryl Gallant<\/a> writes:<\/p>\n

\nIn 2015 I visited Adam Marsh Johnston of AMJ guitars to get the neck of my poorly defretted Fender Jazz fixed. Instead, after an exciting conversation about my dream fretless neck, the journey of a custom build was set in motion. I had previously replaced the electronics in the bass but wasn’t satisfied with the results. When finished, the new neck from Adam was incredible and showed the true quality of the electronics. Yet, it wasn’t complete. <\/p>\n

In the spring of 2016, we started talking about a matching body. During the discussion Adam suggested something unique, and a tad experimental: Elm. The previous year, many of our city’s Elm trees were infected with Dutch Elm Disease and half of these trees were set to be cut down and destroyed. The beetle feeds on the soft inner bark which is integral to water transportation in the trees. The timber quality is quite high as the beetle does not feed on the harder interior wood. Most of these trees had been part of our city’s landscape for many years and it was a huge loss. Not to let a good opportunity go to waste, many woodworkers in our province found a way to treat the wood to be used for commercial purposes: furniture, restaurant bar top, jewelry, and … musical instruments. <\/p>\n

Along with many other fine instruments made from typical woods, Adam has crafted an acoustic guitar and this recently completed electric bass from the Elm. Ukuleles using Elm and Spruce reclaimed from Pianos are also on the horizon. When he suggested Elm, I instantly fell in love with the idea of using wood from my hometown. He even knew the wood came from an approximately 100 year old tree just down the road from the city’s major theatre where I’ve done a lot of playing in my career. The whole thing just sounded right. And now that I have the bass in my hands, it’s not just the idea that sounds right: it plays, sounds, and looks incredible. I couldn’t be happier.<\/p>\n

The Neck<\/p>\n

Birdseye maple neck
\nNitrocellulose lacquer finish
\nEbony fingerboard
\nHolly veneers for fret lines
\nDouble expanding truss rod
\nGraphite stiffeners
\nBone nut
\nMother of pearl side dot markers.
\nWater slide AMJ decal<\/p>\n

The Body<\/p>\n

Elm Body (Trees harvested due to Dutch Elm Beetle infestation)
\nElm bookmatch drop top
\nNitrocellulose lacquer finish<\/p>\n

The Hardware<\/p>\n

Hipshot HB2<\/a> Lollypop tuners
\nHipshot A style bridge<\/a> (Aluminum)
\n19mm spacing
\nHipshot string through body ferrules
\nCustom 3 ply pickguard
\nCrafted by Adam with points that match the headstock and body horn points.
\nDunlop SLS1033BK Straplok Dual Design Strap Retainer System<\/a>
\nFlushmounted
\nDR Sunbeam Strings<\/a>
\nNLR-40 (40,60,80,100)<\/p>\n

The Electronics<\/p>\n

Seymour Duncan Antiquity II<\/a> Jazz Bass pickups
\nSwitchcraft Jack
\nCTS pots
\nEmerson capacitor
\nVintage style cloth wiring
\nShielded Cavity\n<\/p><\/blockquote>\n

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Video<\/h3>\n

Here is a video of the bass being used in a performance.<\/p>\n