{"id":4438,"date":"2013-07-17T12:00:00","date_gmt":"2013-07-17T17:00:00","guid":{"rendered":"http:\/\/www.bestbassgear.com\/ebass\/?p=4438"},"modified":"2017-03-30T15:17:08","modified_gmt":"2017-03-30T20:17:08","slug":"bass-of-the-week-sasha","status":"publish","type":"post","link":"https:\/\/www.bestbassgear.com\/ebass\/bass-of-the-week\/bass-of-the-week-sasha.html","title":{"rendered":"[Bass of the Week] Sasha"},"content":{"rendered":"<p style=\"padding:6px;background:#ffffc0;border:1px solid #555555\">See the business listing for this bass builder <a href=\"https:\/\/www.bestbassgear.com\/techdirectory\/detail\/cj-broz-9315\">here<\/a><\/p>\n<p>This week&#8217;s BotW that arrived in the <a href=\"mailto:featureme@bestbassgear.com\">featureme@bestbassgear.com<\/a> inbox comes from CJ Broz in Washington state:<\/p>\n<blockquote>\n<p>This is Sasha, my first bass that was built from the ground up.&nbsp; I wanted something that&#8217;s comfortable to play, tonally more flexible than most basses out there, unique, and eye-catching. <\/p>\n<p>Body: <br \/>Warmoth alder jazz with wenge thumbrests<br \/>Gloss black finish <\/p>\n<p>Neck:<br \/>Warmoth bubinga jazz with wenge fretboard <br \/>Formby&#8217;s high gloss tung oil finish on headstock<br \/>Medium-jumbo nickle frets<br \/>GraphTech black TUSQ nut <br \/>Threaded neck inserts and machine screws <br \/>D&#8217;Addario nickel rounds <\/p>\n<p>Hardware (all black): <br \/>Hipshot string retainer <br \/>Schaller tuners <br \/>Schaller bridge <br \/>Schaller strap-locks  <\/p>\n<p>Electronics: <br \/>Fender Super-55 split-coil humbucking jazz pickups&nbsp; <br \/>CTS 500K\/500K concentric pots <br \/>Turnstyle Switch  <\/p>\n<p>Each pickup has its own V\/T control.&nbsp; The split coils of the pickups are in series, just like a P-pickup, and the three pickups are parallel to each other.&nbsp; Next in the circuit is the 6-position Turnstyle switch, and finally the master V\/T.&nbsp; The tone controls are no-load, so they take themselves out of the circuit when they&#8217;re full-open.&nbsp; And when they&#8217;re being used, they attenuate the high end &#8212; they don&#8217;t truncate it.&nbsp; (On a lot of basses, when the tone control is turned more than 1\/2 or 2\/3, the tone sounds like it dropped off a cliff.&nbsp; With Sasha, every combination of tone settings is usable.)&nbsp; Everything is passive, no batteries anywhere on Sasha.  <\/p>\n<p>The Turnstyle has six positions, but it&#8217;s not a pickup selector switch.&nbsp; (Well, it <i>could<\/i> be used that way, but it&#8217;s capable of a lot more than that.) The first position of the Turnstyle allows me full manual control of all pickups.&nbsp; I like controlling which pickups I use via the volume controls rather than a switch.&nbsp; The rest of the positions are used for tone presets, hardwired in by Michael at Turnstyle Switch (the guy is brilliant).<br \/>2. Precision <br \/>3. Jazz sweet spot <br \/>4. Rickenbacker <br \/>5. Thunderbird <br \/>6. Overdrive  <\/p>\n<p>I used copper tape from ebay (lots of it) and a couple of evenings to shield the bass.&nbsp; (I even used some 1\/4&#8243; copper tubing to shield the wire channels between the pickup routes and the control cavity.)&nbsp; The final result of the split-coil pickups + 500K pots + Turnstyle Switch + shielding is a bass with a crystal-clear sound that is utterly without noise.&nbsp; Sasha was set up and PLEK&#8217;d by Mike Lull.&nbsp; And I am a happy camper!&nbsp; \ud83d\ude00<\/p>\n<\/blockquote>\n<p align=\"center\"><img title=\"5\" style=\"border-top: 0px; border-right: 0px; background-image: none; border-bottom: 0px; padding-top: 0px; padding-left: 0px; border-left: 0px; display: inline; padding-right: 0px\" border=\"0\" alt=\"5\" src=\"https:\/\/www.bestbassgear.com\/ebass\/wp-content\/uploads\/2013\/07\/5.jpg\" width=\"500\" height=\"374\"><\/p>\n<p align=\"center\"><img title=\"1\" style=\"border-top: 0px; border-right: 0px; background-image: none; border-bottom: 0px; padding-top: 0px; padding-left: 0px; border-left: 0px; display: inline; padding-right: 0px\" border=\"0\" alt=\"1\" src=\"https:\/\/www.bestbassgear.com\/ebass\/wp-content\/uploads\/2013\/07\/1.jpg\" width=\"500\" height=\"667\"><\/p>\n<p align=\"center\"><img title=\"2\" style=\"border-top: 0px; border-right: 0px; background-image: none; border-bottom: 0px; padding-top: 0px; padding-left: 0px; border-left: 0px; display: inline; padding-right: 0px\" border=\"0\" alt=\"2\" src=\"https:\/\/www.bestbassgear.com\/ebass\/wp-content\/uploads\/2013\/07\/2.jpg\" width=\"500\" height=\"667\"><\/p>\n<p align=\"center\"><img title=\"3\" style=\"border-top: 0px; border-right: 0px; background-image: none; border-bottom: 0px; padding-top: 0px; padding-left: 0px; border-left: 0px; display: inline; padding-right: 0px\" border=\"0\" alt=\"3\" src=\"https:\/\/www.bestbassgear.com\/ebass\/wp-content\/uploads\/2013\/07\/3.jpg\" width=\"500\" height=\"667\"><\/p>\n<p align=\"center\"><img title=\"4\" style=\"border-top: 0px; border-right: 0px; background-image: none; border-bottom: 0px; padding-top: 0px; padding-left: 0px; border-left: 0px; display: inline; padding-right: 0px\" border=\"0\" alt=\"4\" src=\"https:\/\/www.bestbassgear.com\/ebass\/wp-content\/uploads\/2013\/07\/4.jpg\" width=\"500\" height=\"667\"><\/p>\n<p>Amazing job, well done! <\/p>\n<p>If you would like to have your bass featured for Bass of the Week, send an email with a short story of the build and some photos to <a href=\"mailto:featureme@bestbassgear.com\">featureme@bestbassgear.com<\/a> &#8211; we look forward to hearing from you!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>See the business listing for this bass builder here This week&#8217;s BotW that arrived in the featureme@bestbassgear.com inbox comes from CJ Broz in Washington state: This is Sasha, my first bass that was built from the ground up.&nbsp; I wanted something that&#8217;s comfortable to play, tonally more flexible than most basses out there, unique, and &#8230; <a title=\"[Bass of the Week] Sasha\" class=\"read-more\" href=\"https:\/\/www.bestbassgear.com\/ebass\/bass-of-the-week\/bass-of-the-week-sasha.html\" aria-label=\"More on [Bass of the Week] Sasha\">Read more<\/a><\/p>\n","protected":false},"author":10,"featured_media":4440,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[19],"tags":[],"_links":{"self":[{"href":"https:\/\/www.bestbassgear.com\/ebass\/wp-json\/wp\/v2\/posts\/4438"}],"collection":[{"href":"https:\/\/www.bestbassgear.com\/ebass\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.bestbassgear.com\/ebass\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.bestbassgear.com\/ebass\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/www.bestbassgear.com\/ebass\/wp-json\/wp\/v2\/comments?post=4438"}],"version-history":[{"count":0,"href":"https:\/\/www.bestbassgear.com\/ebass\/wp-json\/wp\/v2\/posts\/4438\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.bestbassgear.com\/ebass\/wp-json\/wp\/v2\/media\/4440"}],"wp:attachment":[{"href":"https:\/\/www.bestbassgear.com\/ebass\/wp-json\/wp\/v2\/media?parent=4438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.bestbassgear.com\/ebass\/wp-json\/wp\/v2\/categories?post=4438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.bestbassgear.com\/ebass\/wp-json\/wp\/v2\/tags?post=4438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}